Welcome back to our television serial making guidelines. If you will need a recap we had already seen the fixed types of necessities like storyline, characters or sets. Now let us move on to moving ones.
The Story and Dialogue Writers: Having just one single writer is just a risky proposition. You need to ideally have a board of writers, if one doesn't blow out of his/her mind the others deliver. The never ending storyline needs a similarly endless supply of dialogues to keep on the show episode by episode. In a certain scene you must create the maximum possible dialogues and with this the board of writers would come as a bonus. Should they quarrel over it, that's only natural, maybe you receive a new twist-wish idea to set up new angles-triangles or you will want to even a hyperbola in the story that could again generate new streams of dialogues. You must keep a wrist watch on viewers too; boring them now and then is okay, but you need to never drive them mad. The channel producers, remember?
The Director: Since you would be the director you should be the toughest nut to break. Okay it is your child and naturally you like to be the best choice and friend-philosopher-guide. But in actual practice you need to be described as a ruthless dictator taking decisions unilaterally and respecting no one however the channel producers. In case a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; some others may have to be replaced; ushering in an occasion transition or injecting one and more absurd characters to the serial; and, so on. Every one of these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to keep a couple of episode directors too as could be the case in several soaps. We've good reasons. First, one director is directly identifiable and is just a sitting duck for irate viewers, if any. Second, the endless monotony might be an excessive amount of for you and you could lose your sanity. Third, when it comes to channel producers the buck will always stop exclusively at your end only.
The Time Pass: This time around pass is from the viewpoint of serial makers, not viewers. Making an endless serial is never easy. So you need to carry on creating rooms for frequent time pass tactics. You get it done by having merry go rounds of dramatic reaction shots parading your entire characters in the hall that could get you over one or more episodes; by having dialogues that never cease; by providing extreme shock treatment to one or more characters who lose their ability to speak and communicate only through loud music that could last up to one or more episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials carry on doing evil that could include even murder as law enforcement authorities are never called in, because entry of police may veer the serial to a logical end. You just compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the main element to the success of never ending serials. At the receiving end we are able to only try get used to it.
So, make your serial in India and have never ending fun!
No comments:
Post a Comment